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Fela Kuti Fela's life is full of contradictions, and that's part of what makes him so captivating. People who love him can accept his flaws. His songs can last 20 minutes or more, and are performed in thick, almost incomprehensible Pidgin English. His music is influenced by Christian hymns and classical music. He also includes jazz, Yoruba, and highlife with guitars and horns. He was a musician Fela Kuti embodied the idea that music can be a tool for change. His music was used to argue for social, political and economic change. His influence can be felt to this day. His style of music, Afrobeat, is a synthesis of African and Western influences. Its roots are in West-African and funk. However it has evolved into a new genre. His political activism was fierce and frightened. He made use of his music to speak out against corruption in government and human rights abuses. Songs such as “Zombie”, “Coffin for the State Head” and others were bold criticisms of Nigeria's government. He also used his residence, Kalakuta Republic, as an enclave for political activism as well as an area for gathering with like-minded people. The play features a large portrait of his late mother, Funmilayo Ransome-Kuti, who was a prominent feminist activist and feminist pioneer. The actress who portrays her is Shantel Cribbs who has successfully communicated her importance in the life of Fela. The play also examines her political activism. Despite her deteriorating health she was unable to get tested for AIDS and instead opted for traditional treatments. He was a musician Fela Ransome Kuti was a multifaceted person who utilized music to bring about political change. He is known for creating Afrobeat, which is a blend of funk and dirty African rhythms. He was also a constant critic of Nigeria's governmental and religious leaders. Having been raised by an anti-colonial suffragist mom It's no surprise that Fela was interested in social commentary and politics. fela claims wanted him to be medical doctor, but he had different plans. A trip to America changed his life forever. The exposure to Black power movements and leaders such as Malcolm X and Eldridge Cleaver would have a profound influence on his music. He developed a philosophy of Pan-Africanism, that would influence and guide his later work. He was a writer. Fela encountered Black Power activists like Stokely Carmichael, and Malcolm X while in the United States. This experience led him to form a political group called the Movement of the People and create songs that reflected the thoughts he had about activism and black awareness. His philosophical ideas were aired in public through the way of yabis, an art of public speaking that is referred to as 'freedom of expression'. He also began to enforce a strict ethical code for his band, including refusing to receive medicine from Western-trained doctors. Fela returned to Nigeria and began to build his own club in Ikeja. Police and military officials were constant. His Mosholashi-Idi Oro hangers repopulated the area surrounding the club with drugs of all kinds, especially “bana” and “yamuna” (heroin). Fela maintained his integrity in spite of this. His music is a testament to his determination to challenge authority and demanding that popular ambitions are recognized in official goals. It is an extraordinary legacy that will last for generations to be. He was a poet Fela's music used sarcasm and humor to draw attention to the political and economic issues in Nigeria. He also poked fun at his audience, the government, and even himself. During these shows, he would refer to himself as “the big fish in the small pond.” These jokes were not accepted lightly by the authorities, and he was frequently arrested and imprisonments, as well as beatings at the hands of the authorities. He was eventually given the name Anikulapo, which translates to “he has his body in his purse.” In 1977, Fela recorded a song called “Zombie,” which compared soldiers to mindless zombies who obeyed orders without hesitation. This irritated the military who seized the Kalakuta Republic, burning it down and beating its inhabitants. During the raid, Fela's mother was thrown out of her second-floor window. In the decades after Nigeria's independence, Fela created Afrobeat, a genre of music that blended jazz and traditional African rhythm. His songs attacked European cultural imperialism and supported traditional African beliefs and cultures. He also criticised fellow Africans for betraying the traditions of their homeland. He also stressed the importance of human rights and freedom. He was an artist of hip-hop. Fela Anikulapo Kuti, trumpeter and saxophonist was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He was heavily influenced by jazz, rock and roll and also traditional African music, chants, and music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas have influenced his work. When he returned to Nigeria, Fela began using his music as a political tool. He criticised the government of his country and argued against Western sensibilities affecting African culture. He also wrote about human rights violations and social injustices. right abuses. He was arrested repeatedly for his criticism of military. Fela also advocated for the use of marijuana, also known as “igbo” in Africa. He often held public discussions at Afrika Shrine, also known as “yabis”, in which he would slam officials of the government and share his beliefs on freedom of expression and the beauty of women's bodies. Fela had a harem, a group of young women who performed at his shows and backing him vocally. He was a dancer Fela was a master at musical fusion. He fused elements of beat music, and highlife to create his own unique style. He influenced a generation African musicians and was an outspoken critic of colonial rule. Despite being snatched and tortured by the Nigerian military junta and witnessing his mother be killed, Fela refused to leave the country. He died from complications due to AIDS in 1997. Fela was an activist in the political arena who was a critic of the oppressive Nigerian government and supported the principles of Pan Africanism. His albums, including 1973's Gentleman focused on the issue of oppression by both colonial and government parties. He also promoted black power and decried Christianity and Islam as non-African imports that have been used to divide the people of Africa. Shuffering and Smiling is the title track from a 1978 album. It describes crowded public buses filled with poor workers, “shuffering and smiling”. Fela was a fierce enemy of religious hypocrisy. The dancers of Fela were an excellent complement to his music. They were vibrant, sensual and regal. Their contributions to the performances were as significant as Fela's words. He was a political activist Fela Kuti used music as a tool to confront unjust authorities. He adapts his knowledge of American jazz and funk to African patterns and rhythms and created music that was ready for fight. Most of his songs start with slow-burning instrumentals, then layering short-lined melodies and riffs until they explode in a flash of vigor. Fela was, unlike many artists who were afraid to discuss their political views, was fearless and unbending. He stood up for his beliefs even when it was risky to do so. His mother, Funmilayo Runsome-Kuti, was an avowed feminist who was the leader of the Nigerian Women's Movement. His father was a protestant minister and president of the teachers union. He also created Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government raided Kalakuta Republic which destroyed property and injured Fela. He refused to give up, however, and continued to speak against the government. He died of complications from AIDS in 1997. His son Femi continues to carry on his political and musical legacy. He was a father Music is often thought of as a political act, with artists using lyrics to solicit change. Some of the most powerful musical performances are not accompanied by words. Fela Kuti was one of them, and his music still rings out today. He pioneered Afrobeat which combines traditional African harmonies and rhythms with funk and jazz in the style of artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist who fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria that served its entire population. Seun Fela's Son is carrying the legacy of his father through the band Egypt 80. The band is touring the world in this year. The Egyptian 80's music blends the sound of Fela with a sharp critique of the power structures that exist today. Black Times will be released at the end March. Many fans gathered to pay their respects at the funeral at Tafawa Balewa square. The crowd was so huge, that police had to block the entrance.